They get clearance for the best songs, often on tiny budgets (weirdly, there’s no industry standard for the price of music in films, and the budget rides on some mysterious “favored nations” math), and it’s more often than not about relationships. Supervisors need to know everything about music-not just what’s been, but what’s coming. Music supervision is some kind of insane superpower. GG: I want to shout out the folk whose job it is to craft a soundtrack that elevates a film.
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